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Iain Sinclair, the foremost modern practitioner of "psychogeographic" nonfiction, explores the modifications to the London landscape in preparation for the 2012 Summer Olympics. This "scam of scams," as he calls it, is an expression of British state egotism.

America's only unsolved airline hijacking happened the day before Thanksgiving in 1971. D.B. Cooper's demands — $200,000 and four parachutes — were met. He ordered the plane to take off again. When it landed in Reno, Nev., he was gone, along with the money and a parachute.

In The Long Road to Antietam, historian Richard Slotkin traces how both Northern and Southern strategies changed in the summer of 1862, when both sides committed to an all-out total war, and Lincoln squared off against Gen. George McClellan.

Journalist Seth Rosenfeld spent three decades pursuing government documents about the FBI's undercover operation in Berkeley, Calif., during the student protest movements in the '60s. His new book details how the FBI "used dirty tricks to stifle dissent on campus" and influenced Ronald Reagan's politics.

Wall Street Journal economics writer David Wessel's new book, Red Ink, lays out in unsparing terms the way the U.S. government spends money, who pays what in taxes, and why politicians can't seem to agree on ways to reduce the potentially catastrophic deficit.

Author Jennifer Weiner's new novel draws on her experience creating and running a television show. Weiner writes bitingly about the experiences of women in Hollywood writers' rooms — and she's also very vocal about the disrespect female authors face from literary critics.

Jonah Goldberg, conservative columnist and editor of National Review Online, argues in his new book that liberals use catchphrases to avoid engaging in actual arguments over ideas.

In his new memoir, Rodney King explains why he gave his famous "Can we get along?" speech when riots erupted after police officers were acquitted in his beating. His lawyers had drafted a far angrier script for him. He also reflects on his life since the trial: "Things have changed for me," he says.

Publishers initially passed on Lionel Shriver's satire on terrorism, The New Republic. The manuscript languished in a drawer until now, but can a work written 13 years ago remain relevant today?

This zippy six-part Paramount+ series, based on a 1983 theft of three tons of gold bars, focuses on the outlaws' efforts to elude capture and legitimize their booty.