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British artist Brian Catling's fiction debut, about a mysterious forest in an alternate-universe Africa, is finally in the U.S. Reviewer Jason Heller calls it an "eye-gouging, mind-bending spectacle."

Over the past 25 years, former U.S. Treasury Secretary Henry Paulson watched China turn into the world's second largest economy. He explains what could halt the country's massive growth.

Samantha Shannon's richly detailed follow-up to The Bone Season picks up with clairvoyant heroine Paige on the run after leading a revolt against the alien oppressors of her far-future England.

Poet, novelist, memoirist and queer icon Michelle Tea makes a rare misstep in How to Grow Up, an essay collection that reviewer Michael Schaub calls "a well-intentioned, exasperating mess of a book."

A voiceover artist adds hilarious voices to pet videos submitted by his fans on social media.

Brooke Borel's new book describes their history and how they hide, bite and reproduce. Borel, who has combated them herself, says an infestation "does mess with your mind a little bit."

For the composer, life is how the past and the future connect. Glass' new memoir, Words Without Music, looks back on his childhood, travels through Asia and when his music provoked violence.

As jurors deliberate whether to convict Dzhokhar Tsarnaev, Masha Gessen says there are still some "gaping holes" in the case. Her new book is The Brothers.

Veteran rock critic Carola Dibbell ventures into fiction with The Only Ones, a tale of an unconventional family in post-pandemic America. Critic Jason Heller says calls it "heartbreakingly beautiful."

Stephen King has said his novel Carrie is about women's power and men's fear — an idea reporter Beth Accomando says has gotten lost in newer adaptations of the horror classic for stage and screen.